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Peggy Baker Dance Projects featuring vibrotactile chairs for the Deaf

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six extraordinary dancers excavate embodied memory
a surreal and elegant fusion of contemporary dance and live music

Tactile Audio Displays and VibraFusionLab are pleased to have been invited to install 4 vibrotactile chairs in the Betty Oliphant Theatre, Toronto, for this remarkable production.

January 22-24 & 27-31
Wed – Sat 8:30pm, Sun 4pm
Pre-show chat with Peggy Baker
30 minutes prior to each performance

Betty Oliphant Theatre
404 Jarvis Street, Toronto

Tickets:$28, $23 (seniors, CADA, students)

For each performance of Phase Space we are installing four TAD-TARDIS  (Tactile Audio Relative Dimension In Sound) seats by Tactile Audio Displays with the help of VibraFusionLab. The TAD-TARDIS  is an eight channel tactile sound system for the body. Feel the music improvised live by John Kameel Farah while watching our six extraordinary dancers!

If you are Deaf or hard-of-hearing, book one of these four seats today using the promotional code VIBE20 for $20 tickets! Following the performance, we will contact you for feedback, because we would love to know about your experience!

Watch an example of one of these systems on the video link below.

A new full-evening work by acclaimed Canadian dance artist, Peggy Baker (Audience Choice for Best Choreographer, NOW Magazine 2014 and 2015) Phase Space extracts fragments from across the impressive spectrum of Baker’s repertoire, and then expands, compresses, and reassembles those fragments to create thoroughly new and unique dances, in which actions that were originally unrelated fold in on one another in striking, startling, and fascinating ways.

created by choreographer: Peggy Baker
music: John Kameel Farah
vocalography: Fides Krucker
lighting: Marc Parent
dancers: Ric Brown, Sarah Fregeau, Kate Holden, Sean Ling, Sahara Morimoto, Andrea Nann

“…there are certain elements one expects in a Peggy Baker show. Wall-to-wall movement executed by top-of-the-line dancers. Music of substance. Dance pieces whose themes run deep. The overall productions buffed to a high gloss. In other words, Baker is a class act.”                                       – Paula Citron, The Globe and Mail
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